Antonella Bertolotto | Arts and Humanities | Best Researcher Award

Prof. Antonella Bertolotto | Arts and Humanities | Best Researcher Award

Becaria Doctoral at IdIHCS/CONICET-UNLP, Argentina

Antonella Bertolotto is a dedicated researcher in the field of educational sciences, with a particular focus on the history and sociocultural aspects of physical education. She is currently a Doctoral Fellow at the National Scientific and Technical Research Council (CONICET) in Argentina, where she is pursuing her PhD at the National University of La Plata (UNLP). Her research delves into the formation of professional identities, educational discourses, and the historical evolution of bodily practices. She has been actively engaged in various academic projects, analyzing the role of education in shaping perceptions of the body and sensitivities. With a strong commitment to scholarly research, Bertolotto contributes to multiple study groups and has been involved in both teaching and academic writing. Her work is recognized for its interdisciplinary approach, blending education, history, and social sciences to provide a deeper understanding of the evolution of physical education and professional training.

Professional Profile

Education

Antonella Bertolotto has pursued extensive academic training in the field of educational sciences and physical education. She holds a Bachelor’s degree in Physical Education from the National University of La Plata (UNLP), where she also completed a Teaching Certification in Physical Education. Building on this foundation, she enrolled in a Doctoral Program in Educational Sciences at UNLP, supported by a prestigious CONICET doctoral fellowship (2022-2027). Her doctoral research examines the historical development of professional organizations in physical education and their impact on educational policies. Throughout her academic journey, she has taken part in specialized courses and seminars, including training in comparative education, historiography, and research methodologies. Her educational background reflects a strong commitment to interdisciplinary studies, blending education, history, sociology, and political science to analyze the evolution of physical education and professional training in Argentina and beyond.

Professional Experience

Antonella Bertolotto has built a solid professional career as a researcher, educator, and academic contributor in the field of educational sciences. She is currently affiliated with the Institute of Humanities and Social Sciences Research (IDIHCS-UNLP/CONICET), where she participates in various projects analyzing the history of physical education, professional training, and pedagogical practices. She has served as a research fellow in multiple university-led investigations, including studies on educational discourses and body perceptions in the 20th century. Additionally, she has worked as a teaching assistant in university courses related to theory and pedagogy of physical education, guiding students in their academic development. Her contributions extend to writing research papers, participating in academic conferences, and engaging in collaborative research projects. Through her work, she aims to bridge the gap between historical research and contemporary educational challenges, making significant contributions to the field of humanities and social sciences.

Research Interests

Bertolotto’s research interests lie at the intersection of education, history, and sociocultural studies, with a particular emphasis on the role of the body in educational practices. Her work explores the historical and political dimensions of physical education, focusing on the development of professional organizations, the influence of Pan-Americanism in shaping educational discourses, and the transformation of bodily practices in Argentina during the 20th century. She is particularly interested in the ways educational policies and social norms have shaped the understanding of physical education as a discipline. Her research also extends to sensitivity studies and the cultural history of emotions, analyzing how educational institutions influence bodily perceptions. By integrating historical analysis with contemporary educational debates, Bertolotto seeks to contribute to the advancement of education policies and pedagogical approaches that acknowledge the evolving role of physical education in modern society.

Awards and Honors

Antonella Bertolotto has been recognized for her academic excellence and contributions to educational research. She was awarded the EVC-CIN Fellowship (2020-2021), a prestigious grant supporting early-career researchers in Argentina. Currently, she is a Doctoral Fellow at CONICET (2022-2027), one of the most competitive research grants in the country, which allows her to pursue her PhD at UNLP. Her involvement in multiple research projects and academic groups has earned her recognition within the academic community. She has also received certifications for her participation in specialized training programs, including courses on education historiography, sociocultural studies, and comparative education. While still in the early stages of her academic career, her work has already made a significant impact on the study of physical education history and professional training, positioning her as a promising researcher in her field.

Conclusion

Antonella Bertolotto demonstrates strong potential as a researcher, particularly in the field of education, history, and sociocultural studies related to physical education. However, given that her PhD is not yet complete and her publication record is unclear, she may not yet be at the level required for a Best Researcher Award. She would be an excellent emerging researcher candidate with significant contributions anticipated in the future.

Publications Top Notes

  • La pelea del Siglo XX; prensa, masculinidad y nacionalidad

    • Author: A. Bertolotto

    • Year: 2020

    • Citations: 5

  • Entre atletas y runner’s. Discursos, sentidos y espacios

    • Author: A. Bertolotto

    • Year: 2021

    • Citations: 2

  • Prólogo de la Revista de la Educación Física

    • Authors: A. Bertolotto, E. L. Galak

    • Year: 2023

    • Citations: 1

  • Los usos de las tecnologías en el Primer Congreso Argentino de Educación Física de 1943

    • Authors: A. Bertolotto, E. L. Galak

    • Year: 2022

    • Citations: 1

  • The forgotten reform. On the initiative, success and absence of the school round games (“rondas escolares”) as a musical proposal for Physical Education classes (Argentina, 1910s)

    • Authors: A. Bertolotto, E. L. Galak

    • Year: 2025

    • Citations: N/A

  • Formación superior e investigación en Educación Física: Mapeo en las universidades argentinas y primeras consideraciones

    • Authors: E. Galak, I. V. Ribero, M. A. Ruiz, A. Bertolotto, A. V. Tita, L. Nakayama

    • Year: 2024

    • Citations: N/A

  • Relecturas musicales: Ritmo, movimientos, cuerpos, técnicas. Las músicas de Enrique Romero Brest

    • Authors: E. Galak, A. Bertolotto

    • Year: 2023

    • Citations: N/A

  • Un manifiesto para la Educación Física: “Acción de los profesores de Educación Física en la enseñanza nacional” (1943)

    • Author: A. Bertolotto

    • Year: 2023

    • Citations: N/A

  • Ritmo, movimiento, cuerpos, técnicas: Las músicas de Enrique Romero Brest

    • Authors: A. Bertolotto, E. Galak

    • Year: 2023

    • Citations: N/A

  • Un manual, toda la Educación Física: Lecturas de

    • Authors: A. Bertolotto, A. Lapuente Romero, E. Galak

    • Year: 2023

    • Citations: N/A

  • Un plan y un método: Formación profesional y educación del cuerpo en

    • Authors: A. Bertolotto, A. Lapuente Romero, E. Galak

    • Year: 2023

    • Citations: N/A

  • La obra de obras: un repaso de las “Bases de la Educación Física en la Argentina” (1939)

    • Author: A. Bertolotto

    • Year: 2023

    • Citations: N/A

  • Rondas Escolares and Physical Education: Between Traditions and Transitions in the Innovative Pedagogical Proposal of Music and Movement (Argentina, 1910)

    • Authors: A. Bertolotto, E. L. Galak

    • Year: 2023

    • Citations: N/A

  • Um manual, o conjunto da Educação Física. Leituras de “Elementos de Gimnástica Fisiológica” de Enrique Romero Brest (1911)

    • Authors: A. Bertolotto, E. L. Galak, A. L. Romero

    • Year: 2023

    • Citations: N/A

  • Actors, Struggles and Tensions in the Configuration of Associativism in the Field of Argentine Physical Education, 1909–1936

    • Author: A. Bertolotto

    • Year: 2023

    • Citations: N/A

  • Entre “educadores, amigos y adversarios de doctrinas”. Relato iconográfico #6: Los “otros” y Enrique Romero Brest

    • Authors: A. Bertolotto, M. Pereyra

    • Year: 2023

    • Citations: N/A

  • Un plan y un método: Formación profesional y educación del cuerpo en “Elementos de Gimnástica Fisiológica” (1911)

    • Authors: A. Bertolotto, E. Galak, A. Lapuente Romero

    • Year: 2023

    • Citations: N/A

  • Formación superior en Educación Física en las universidades públicas argentinas: Prácticas, saberes y discursos (1953-2023)

    • Authors: A. Bertolotto, A. Tita

    • Year: 2023

    • Citations: N/A

  • Formación profesional, panamericanismo y prácticas corporales de mediados del siglo XX: el caso de la Asociación de Profesores de Educación Física de Argentina (1939-1958)

    • Author: A. Bertolotto

    • Year: 2022

    • Citations: N/A

 

Bernard Eze Orji | Arts and Humanities | Best Research Article Award

Dr. Bernard Eze Orji | Arts and Humanities | Best Research Article Award

Senior Lecturer/Researcher at Alex Ekwueme Federal University, Ndufu-Alike Ebonyi State, Nigeria

Dr. Bernard Eze Orji is a distinguished academic and researcher in Theatre Arts, currently serving as a lecturer at Alex Ekwueme Federal University, Ndufu-Alike, Nigeria. With a keen interest in African performance traditions, cultural studies, and theatre history, he has made significant contributions to the study of indigenous art forms and their evolution. His research focuses on the intersection of tradition and modernity, particularly examining how cultural expressions like masquerade performances have transformed over time. Through his scholarly work, Dr. Orji provides deep insights into African oral traditions, performance aesthetics, and their role in contemporary society. He is an active member of several professional organizations and continues to contribute to the advancement of Theatre Arts through teaching, research, and publications.

Professional Profile

Education

Dr. Orji holds a PhD in Theatre Arts from the University of Ibadan, Nigeria, obtained in 2021. His academic journey began with a Bachelor of Arts degree from Lagos State University, which he completed in 2008. He further pursued a Master of Arts in Theatre Arts at the University of Ibadan, graduating in 2012. His education provided a strong foundation in performance studies, dramaturgy, and cultural analysis. His postgraduate research focused on African theatre, exploring the evolution of traditional performance into contemporary entertainment forms. His doctoral studies deepened his expertise in performance historiography and indigenous African arts, positioning him as an authority in his field. His rigorous academic training and research engagements have shaped his contributions to the study of theatre and cultural performance in Nigeria and beyond.

Professional Experience

Dr. Orji has amassed a wealth of professional experience in academia and media. His career began as an Exam Support Services Officer at JAMB Headquarters, Abuja, during his National Youth Service Corps (NYSC) in 2009. He then transitioned into journalism, working as a Reporter and Sub-Editor at Leadership Newspapers from 2012 to 2013. In 2013, he joined Alex Ekwueme Federal University as an Assistant Lecturer, where he has since advanced his academic career. Over the years, he has been involved in curriculum development, student mentorship, and research supervision. His professional engagements extend beyond academia, as he is a member of various scholarly organizations that promote African theatre and performance studies. His commitment to education and research has made him a respected figure in his field, fostering intellectual growth among students and colleagues alike.

Research Interest

Dr. Orji’s research interests span African performance traditions, cultural identity, and the transformation of indigenous art forms. He explores themes such as masquerade performances, folklore, and the role of satire in contemporary African theatre. His work critically examines the evolution of traditional entertainment into modern expressions, including stand-up comedy and digital theatre. He is particularly interested in the interplay between performance and societal change, investigating how cultural expressions adapt to contemporary realities while retaining their historical significance. His research also delves into gender dynamics in African theatre, analyzing how traditional narratives shape modern perceptions of identity and representation. Through his scholarly contributions, Dr. Orji aims to preserve and promote African artistic heritage while fostering new interpretations and innovations in performance studies.

Awards and Honors

Dr. Orji’s academic excellence and contributions to research have earned him recognition within the scholarly community. He has received commendations for his work in theatre studies and cultural research, solidifying his reputation as a leading voice in African performance studies. His research on the adaptation of masquerade traditions into contemporary performance has been acknowledged for its originality and depth. He is an active member of esteemed professional organizations, including the Society of Nigeria Theatre Artists (SONTA), the African Theatre Association (AfTA), and the Nigerian Institute of Public Relations. His dedication to advancing African theatre has made him a respected academic, and his continued efforts in research and publication are expected to bring further accolades in the future.

Conclusion

Dr. Bernard Eze Orji’s scholarly work exhibits significant strengths in originality, relevance, and analytical depth, particularly concerning African performance arts and cultural transformations. While there are opportunities for further enhancement through comparative analysis, methodological transparency, and interdisciplinary collaboration, his existing contributions position him as a strong candidate for the Best Research Article Award.

Publications Top Noted

  1. Humour, satire and the emergent stand-up comedy

    • Year: 2018
    • Cited by: 8
  2. “Amari-Akaghi”—The Knowledge of the Unknown: Women and Masquerade in Achebe’s Things Fall Apart

    • Year: 2022
    • Cited by: 3
  3. Aestheticism in visual symbols: catalysts for theatre patronage in contemporary play production

    • Year: 2019
    • Cited by: 3
  4. Carnivalization of Indigenous Performance Forms and the Demystification of Ritual Essence in Costume and Mask Designs of Masquerade Art

    • Year: 2019
    • Cited by: 2
  5. Interculturality and Hybridity in Ọkụmkpọ́ Masquerade Performance of Akpoha-Afikpo

    • Year: 2012 (MA Dissertation)
    • Cited by: 2
  6. Theatre as Social Criticism: The Re-examination of Osofisan’s No More the Wasted Breed

    • Year: Not listed
    • Cited by: 2
  7. African Theatre 18

    • Year: 2019
    • Cited by: 1
  8. The Masquerade in Abuja and Calabar Carnivals

    • Year: 2019
    • Cited by: 1
  9. Carnival and Afikpo Njenje-Masquerade: Examining an Indigenous Tradition in a Postmodernist Parade Performance

    • Year: 2023
    • Cited by: Not listed
  10. “Incarnations of the Spirits:” Carnivalesque Elements of Igbo Children’s Ekpo Masking Performance

  • Year: 2023
  • Cited by: Not listed
  1. Ọkụmkpọ́ Masquerade as Theatre Performance in Akpoha-Afikpo Cross River Igbo Area of Southeastern Nigeria
  • Year: 2025
  • Cited by: Not listed